My work explores geometry as a sensory and perceptual language shaped through rhythm, repetition, and atmosphere. Working primarily with layered watercolour, acrylic, oil pastel, coloured pencil, and hand-painted collage, I create compositions that move between structure and dissolution, precision and intuition.

Influenced by sound, meditation, architecture, and material process, I approach geometry as a living system — one capable of holding emotional resonance, spatial tension, and shifting states of perception. Through layering, translucency, and repetition, colour and form begin to function beyond the purely visual, suggesting vibration, movement, and presence.

My practice moves between minimal and immersive compositions: at times distilling form into quiet, open structures, and at others building dense, atmospheric fields of colour and texture. Across these approaches, I am interested in how simple geometric elements can hold complex emotional and sensory experiences, reflecting themes of stillness, transformation, resonance, and inner perception.

At its core, my work investigates the relationship between the internal and external worlds. Geometry becomes both structure and sensation — a way of translating unseen energies, intuitive states, and emotional atmospheres into visual form through material, rhythm, and light.